Finalmente o reconhecimento da Batida Perfeita de Clyde Stubblefield…

Quem um dia imaginaria que um solo de bateria de 20 segundos influenciaria toda uma geração de artistas do Pop e do Hip-Hop…?!

Março de 1970… Chega às paradas americanas mais um clássico do inigualável “James Brown”, “Funky Drummer”. Durante a sua gravação em estúdio, em 20 de Novembro de 1969 em Cincinnati, Ohio, “Clyde Stubblefield”, baterista integrante da “The James Brown Orchestra” assina seu nome no rol da fama musical com um autêntico solo de bateria para finalizar Funky Drummer com chave de ouro. Certamente Stubblefield não imaginou que seu solo faria a cabeça de muitos nomes importantes do cenário musical como “Public Enemy”, “LL Cool J”, “Beastie Boys”, “NWA”, “Run DMC”, “Sinead O’Connor” e até mesmo “Kenny G” que explicitamente o sampleariam para a construção de seus respectivos clássicos. Mas onde está a grande polêmica neste caso…?! Durante quatro décadas esta poderosa linha de batidas de Stubblefield foi usada e abusada pelos artistas, porém, poucas vezes se teve o devido reconhecimento de sua criação, seja em créditos nos álbuns, ou o pior, por meio de royalties, o que seria mais digno neste caso. No entanto, mesmo com o esforço de obter o devido reconhecimento de sua obra, Stubblefield era impedido de receber, pois todos os créditos iam sempre para Mr. Dynamite como compositor da música.

He stood there for a long time. Tami Joan and John desperately retreated until they reached the other side of the door, holding two sweaty bodies tightly together. The drivers hand bent into the shape of a cup, blocking the lights shone on Examtestview the street light, looked at them more carefully. Suddenly, a loud noise echoed in the air. Tameron 70-346 Exam 70-412 Exam could not help but constricted a while, and John made a short, screaming scream. Behind 210-065 test 210-065 test the driver, the air in the distance was filled with bright red and blue flame stripes instantly. Then again is a few roar and scream. The driver turns and looks up, just to see a huge, orange-red cobweb over 210-065 test the city. It was a fireworks, and Tamie remembered the news read in the newspaper. It is a gift from the host and the Secretary-General of the United Nations to the 210-065 test delegates attending the conference and welcomes them to this great city on Earth. The driver turned toward the taxi again. Pat soon, he opened the door lock, slowly opened the door. 2 As usual, the informant did not 70-346 Exam leave a name. Therefore, there is Examtestview no other way to pour back into the past to understand what the reporter said is a piece of open space. The headquarters radio said He said it was on the 37th Street near Eleventh Street. Those at the Notification Center never figured out where the exact location of the murder 70-346 Exam was. Although it is nine oclock in the morning, it has made people sweat more than 70-346 Exam hot. Emilia Shakes lay aside a tall grass thatch. She is conducting a search of light – a jargon of crime scene investigators Examtestview 210-065 test – searching for suspicious objects with an S-shaped route. Nothing at all She looked down at the intercom on the dark blue uniform shirt. Patrolman 5885 calls 70-346 Exam headquarters without any notice. Do you have any further 70-346 Exam news The dispatcher replied in a bumpy noise 5885, there 70-346 Exam is no more information about the scene of the crime at the moment, but one thing The informant said he hoped the victim was dead. Please say it again, Examtestview headquarters. The complainant said he hoped the victim was already dead. He said it would be best if so. Finished. Hopefully the victim Dead Shakes struggled across a broken barbed wire and began 210-065 test searching for another piece of open space. Still not found. She wants to leave. Just call 10-90, report that without any discovery, you can return to 210-065 test the Si Si area, it is her daily patrol area. Her knees hurt and she felt as if she had been roasted on a terrible August day. She just wanted Bestexamview to slip to the 70-346 Exam Port 70-346 Exam Bestexamview Authority and get stuck with the Little Bestexamview Furrier there and come back to a large can of Arizona iced tea. Then, at eleven thirty – just two hours now – she was able to clear the drawers in the south section of Midtown and go to the lower Bestexamview town for training. But Examtestview she finally did not do this. She can 70-412 Exam 210-065 test not leave this briefing without answering the phone 70-412 Exam call. As she continued to move Bestexamview on, she walked along the hot sidewalk through the path between the two abandoned apartments and into another covered, planted area. She slid her slender forefinger down into her flat-top hat and scratched it with irresistible restraints through layers of long, red hair Bestexamview on her head. In order to 70-346 Exam scratch more scalp, she simply Examtestview Bestexamview Examtestview faded her cap side, while crazy scratch. Sweat Bestexamview streaming down her forehead, itchy, so she fiercely 70-346 Exam blew a few brows.

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Mas ao que parece, o desrespeito a brilhante criação sonora de Clyde Stubblefield está com seus dias contados. Lançado em janeiro de 2010 o documentário Copyright Criminals”, de “Benjamin Franzen” e “Benjamin Franzen” aborda com profundidade o valor criativo e comercial da amostragem musical, trazendo em suas imagens debates acerca de temas essenciais como “expressão artística”, “direito de autor” e “dinheiro”. Em Copyright Criminals, além das participações inusitadas de personalidades como “Shock G”, “DJ Q-Bert” “Bobbito García”, “Chuck D”, “De La Soul”, “Eclectic Method”, “George Clinton”, “Hank Shocklee” (The Bomb Squad) e “DJ Mix Master Mike” um dos pontos altos do documentário é nada menos que Clyde Stubblefield, creditado como um dos artistas mais sampleados de todos os tempos. Outra grande iniciativa em prol dos direitos de Clyde Stubblefield foi a edição especial contendo 2 DVDs do documentário original de Copyright Criminals, além de um LP em homenagem ao baterista, que traz o mesmo título de seu clássico, “The Funky Drummer Edition”. Em Copyright Criminals: The Funky Drummer Edition”, “Chuck D”, “Questlove” e “Black Thought”, do The Roots” e o grupo inglês de DJs  “Eclectic Method” se uniram a Clyde Stubblefield para formar a “The Copyright Criminals All Star Band”, projeto que pretende dar mais visibilidade a campanha pelos direitos autorais na música tendo Stubblefield como referência principal dessa luta e um dos beneficiários de parte dos tão sonhados royalties, traduzidos em 15% como reza a lei.

Clyde Stubblefiel nasceu em 18 de abril de 1943, em Chattanooga, Tennessee, nos Estados Unidos e ficou mundialmente popular como baterista de James Brown ao gravar canção Funky Drummer. Ele mesmo revela que o groove sampleado surgiu numa jam session que aconteceu junto a outros músicos no estúdio enquanto Brown não chegava…  Atualmente Stubblefield vive em Madison, Wisconsin e se encontra na fila por um transplante de rins. Freqüentes eventos promovidos por músicos amigos para a captação de recursos para o tratamento do baterista, como o que obviamente está acontecendo em The Funky Drummer Edition…

Sobre DJ TR

Além disso, veja

Campo Grande vai ficar pequeno com a presença do Raiz Coral…

Eles são oriundos da mesma região do rapper Mano Brown, o Capão Redondo, localizado ao …

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